the new alone with everybody ep by drum & bass connoisseur fd firmly solidifies his earned seat in the upper echelons of the drum & bass scene. the epic nine-tracker showcases a new dimension to his sound, having already gained the trust of many essential labels in the past. serious work has been released over the course of years, producing a balanced catalogue of what fd stands for. this persistent output has grown in both reputation and depth and tells the story of a man dedicated to keeping close to his musical vision.

earth trax embarks on the seventh expedition into the exotic lands of palm trees and blue skies with his ambient ‘i gave you everything’ ep. expedition seven features four jams packed full of emotional breakdowns, moody synth lines and dusty drum patterns.

ltd coloured vinyl edition..... aus großen melodien und strapazierfähigen elektronischen teppichen gestrickt, ist -love what survives- gewissermaßen die essenz ihres bisherigen schaffens, indem verschiedene gesangsgäste und musikerpersönlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-Überlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks enstanden größtenteils auf zwei vintage-synthesizern

everybodys darling rahaan is back with three hard knocking acid tracks.

zum zwanzigjährigen label-jubiläum: kollektiv produzierte künstlerinnen-werkschau. das doppel-vinyl enthält acht bonustracks und erscheint im klappcover, downloadcode inklusive.

a pluck from the obscure like only pacific city sound visions can. these guys tap in where other s tap out. limited numbers, don t miss this truly unique lp. tip! alternatively titled: homoswavesailors, jack cccoys 1984 film about the birth of windsurfing details, through the gaze of the sport as a pre-historic ancient ritual, the exploits of a few of the sports originators. backing up the clear 80’s blue visuals of waves white washed wind blasted fx, is a variety of original pop and synth music made by the films composer, chris eggleton. there are no song titles, rather each track is spiced-up with wind and wave sound fx, which were originally meant to act as sound accents for wave sail action in the film. the pop songs are beach-spiked hits, sounding like new zealands flying nun rock, or blasted out prince chorus funk, but with added film sound fx, the essence of the silver screen begins to creep into the medium of audio disc! the synth music on tradewinds sounds as if tangerine dream made inspirational beach movie tracks during the height of their firestarter period. the mix is arranged by pacific city, so that the summer doesnt crash and burn. for the first time in history, pacific city sound visions presents: the original motion picture soundtrack to tradewinds on vinyl lp.

matt thibideau aka altitude releases his latest original ep on lisbon s helena records, cementing his return to the international scene. anyone who has seen his all-analog live set will be on solid ground here among four extended deep-space soundscapes, which continue the legacy of his legendary blue recordings output. transforming is the slow, cavernous floorfiller with a growling bass of truly physical intensity, while fractional s delayed chords and soft, skipping hi hats form the housiest moment of the record. touch sensor and tantalum on the flip nod to the legacy of mark & moritz (still strong to this day): the former could be a long-lost main street dub, while the latter would not be out of place as a new entry in the m-series.

marc almond veröffentlicht mit »shadows and reflections« sein neues album bei bmg. es enthält coverversionen bekannter pop- und liebeslieder der 1960er jahre in neuem, orchestralem gewand sowie zwei neue stücke.
die vinyl-lp erscheint im klappcover, downloadcode inklusive.

das bandprojekt drums off chaos war eines der zentralen und kontinuierlichen projekte des erst kürzlich verstorbenen schlagzeugers jaki liebezeit (der zuerst meist mit der kölner band can assoziiert wird). anfang der 1980er jahre hatte er eine zunächst lose zusammenkunft von trommlern initiiert, die sich anhand einfacher, sehr verbindlicher vereinbarungen ein rhythmisches konzept schufen, das die möglichkeit zu weit ausgreifenden improvisationen gab. mit den jahren verkleinerte die gruppe die anzahl ihrer mitglieder und verfeinerte ihr zusammenspiel, welches durch repetetive modelle und deren variation gekennzeichnet ist. -monoton musst du spielen-, hatte einmal ein zuhörer schon in den 1960er jahren zu liebezeit gesagt. das nahm er sich zu herzen und konnte diesen vorsatz in kaum einer formation so regelmäßig und inspiriert zu leben erwecken wie mit drums off chaos. in über dreißig jahren entwicklung dieser außergewöhnlichen band, die sich eigentlich nie als eine solche verstanden hat, sind zwar zahlreiche aufnahmen, aber kaum je veröffentlichungen entstanden. in den letzten monaten seines lebens hat jaki liebezeit jedoch mit seinen kollegen reiner linke, maf retter und manos tsangaris einige stücke ausgesucht, die bald auf vinyl und auf cd - in je unterschiedlichen sammlungen - erscheinen sollten. nun, nach dem ableben liebezeits, soll es erst recht auch dazu kommen. - mitglieder: jaki liebezeit, maf retter, reiner linke und manos tsangaris

ian tocor is a smiling ambiance man, into ambient ,deep, dub and techno, half of outlander wax theory and drnchd bands, he signed his first vinyl on the american label love what you feel in 2014. played by fred p, this ep oscillates between a dub house in lace and a deep and colorful deep house. it has been found on the first compilation of simple music experience with a dreamlike journey called -blue- or on label vastechoses, the latest project built with his friends sevyce and lostsoundbytes, adventurous music, intrepid grooves and editions of all kinds are on this platform with evocative name.in short, music is for ian an outlet, deeply anxious to provoke in various forms links between moving bodies, his dj sets are as rough and strong as they are surrounded by sensitivity.

producer, dj and visual artist, dreams, has become a standout voice in the los angeles electronic landscape. the following he’s amassed locally is due, in part, to his own imprint, private selection, who’s focus so far has been split between releasing music and throwing events. an ethos that runs through both the his music and parties is indebted in part to house and techno, but also industrial, resulting in a mutated take on dance life forms that is becoming increasingly recognizable in his own records and dj sets. dreams’ first 12’, ‘twisted karma’, came out in 2015 via private selection. most recently, he released a record which saw light through greek imprint nous disques, and now, apron records.

what happens when a house-music icon takes a small, talented bunch of musicians and mixes it with a savory blend of jazz, funk, dance, and soul music? you get a hearty serving of e.o.l. soulfrito, who make their single debut with upright love on vega records. e.o.l. soulfrito, led by musical director and conductor louie vega, is the condensed version of vega’s elements of life live-band project, which over its tenure has released three albums, won a grammy award in 2006 for best remixed recording, non-classical (curtis mayfield, superfly (louie vega eol mix), and performed for a globally-televised audience during the 2007 superbowl pre-game show. e.o.l. soulfrito’s name is a play on the popular latin-caribbean seasoning sofrito, which serves as a nod to vega’s own puerto rican heritage. earlier this year, the band played their first show at gramps in wynwood, miami during miami music week. upright love embodies the organic energy of e.o.l. soulfrito’s live performances. with a runtime of more than ten and a half minutes, it’s a steady groover that slowly blossoms into a blissful symphony of sprightly chords, jazzy bass, crisp percussion, pattering tambourine courtesy of kat ayala, and cindy mizelle’s vocal ad-lib serenades. easygoing yet refined, the single plays out like a summer afternoon jam session between vega and his friends: axel tosca on fender rhodes & synth upright bass, josh milan on synth jazz guitar & synth percussion. start swaying those hips and let the rhythm carry you into the sunset. i wanted to create a more condensed band, since the elements of life band has ten members, it’s always been a little difficult to do smaller venues. i also wanted to create music inspired by groups and artists like war, cymande, johnny hammond, and herbie hancock’s headhunters, but with the vega e.o.l. twist and style. i then created e.o.l. soulfrito with my studio musicians and rhythm section of elements of life and nuyorican soul. i want to take this band and perform in festivals and venues like the blue note, jazz café, ronnie scots, and bb kings. e.o.l. soulfrito will bring you future grooves with a tinge of the musical landscape from our rich past, and yes, there will be experimentation get ready for it.

following on from his stellar record store day 2017 double-pack, dimitri is back with another clutch of indispensable disco edits from his impressive archive for the legendary salsoul label. any self-respecting dj or disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by disco-dim. salsoul orchestra s ooh i love it (love break) kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. following up is skyy s total anthem first time around , a classic garage groove and dimitri s version is near perfect, again, re-touched by someone who truly understands what disco all about! essential stuff. on the flipside the jammers - be mine tonight , is another massive garage smasher, here dimitri almost edges shep pettibone s og mix into the boogie stratosphere, just incredible! it makes perfect sense that this amazing double-pack should finish on one of dimitri s most sought after edits - love committee s just as long as i got you , an epic slab of soulful, almost dark, disco. absolutely huge

2 blue & black splattered lps in gatefold with printed inner-sleeve. sfor someone who went from growing up in a secluded norwegian forest to producing for some of the biggest hip-hop and pop megastars on the planet, peder losnegÕrd has had quite the journey. it was through a series of remixes that lido catapulted into the sets of the most high-profile djs around the globe, capturing the ears of numerous notable tastemakers. reworking acts like disclosure and bill withers, the producer set the internet ablaze with talk of his four-note piano tag and speculation as to who was underneath the moniker. while his playful, restless musicality saw him adopt an array of aliases - but hell keep those under wraps for now

limited 2017 repress due to the big amount of requests. final chapter of heisenbergs >secret weapons< series. as usual its vinyl only! no digital release, promos or shares! 180g. blue-transparent vinyl. shrinked antistatic innersleeve

whilst not the first uk dance scene the mods had that covered – northern soul is the longest running. those northern clubbers who eschewed late 60s psychedelic fripperies for obscure old soul records with the requisite beat, couldnt have known what they started. after using up all the uk released sides they began digging in the united states and after nearly 50 years the northern soul scene has probably unearthed more great music than any other. all night long is our tribute to those pioneers and includes current in-demanders such as the sensations demanding man, classics by the chandlers and ernest mosley and a host of other dancefloor friendly masterpieces. all night long, can you feel that beat and extra added soul will be available on cd & double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

showroom berlin present their new lp

die zwölf songs des albums zeigen, mit welcher experimentierfreudigkeit der musiker ans werk ging. neue sounds und musikalische stilrichtungen wurden ausprobiert, dabei kamen viele für hendrix untypische instrumente zum einsatz: bläser, keyboards, percussion und sogar eine zweite gitarre.

to pick up where >i am the walrus< left off, that was the goal when electric light orchestra formed in the early seventies.
they wanted to steep different music styles in a rock tradition and mix in some beatlesque pop, but it took jeff lynne & co until their third album eldorado to get on the right track. their most ambitious album to date, they decided to hire a 30 piece orchestra and choir to fill out their sound, and the investment paid off.
with the unforgettable >cant get it out of my head< as the lead single, >eldorado< was a commercial as well as a critical success, and it would achieve gold status in the us. the english guys with the big fiddles had arrived!
audiophile pressing on heavyweight 180 grams vinyl.

remastered re-issue on heavyweight double vinyl of this legendary 1982 album by the stranglers. contains 4 exclusive bonus tracks.

the super sounds of the seventies is a selection of seminal and sometimes wacky hits by artists such as stealers wheel, harry nilsson and joe tex. the movie also raised public interest in the dutch band george baker selection, due to the use of his “little green bag” in the film’s opening titles.
keep on truckin !
limited 25th anniversary edition pressing of 3.000 numbered copies on ear bleeding red 180 gram vinyl.

emotional response starts 2017 with a mini-album of ambient-equatorial enlightenment by australia s mysterious tropical hi-fi. the final record from an artist appearing on the label s first schleiben series, this also points to the future. based somewhere in the far flung northern territories, the music of hi-fi s pre-incarnation electric egypt was first discovered via the note-worthy airwaves of l.a s outstanding dublab radio station.

the original motion picture soundtrack from “atomic blonde” on black 180 gram double vinyl, housed in a gatefold sleeve.

joshua tree - 30 years re:isue - comes on double heavy weight vinyl

aus großen melodien und strapazierfähigen elektronischen teppichen gestrickt, ist -love what survives- gewissermaßen die essenz ihres bisherigen schaffens, indem verschiedene gesangsgäste und musikerpersönlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-Überlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks enstanden größtenteils auf zwei vintage-synthesizern (korg ms-20, korg delta), die beide, so die band, diese -punkige, schloddrige qualität hätten, die an robert wyatt erinnert-, die mit ihrem industrial-einschlag und dem unverkennbar direkten sound mount kimbie zu ihrem neuesten sound-update bewegen sollten. der pulsierende motorik-beat der single -blue train lines- zum beispiel schickt king krule direkt auf die Überholspur, von wo aus er seine zerklüfteten vokalsalven abgeben kann. die offene, ausladende aura der platte ist ferner der tatsache geschuldet, dass sie zwischen london und los angeles entstanden ist, zwei standorten, zwischen denen das duo pendelte, um gemeinsame sessions zu veranstalten und ideen zu verfeinern.

on fire ist das zweite studioalbum des amerikanischen dream-pop-trios galaxie 500. es wurde 1989 auf rough trade veröffentlicht, nachdem es im studio noise ny in new york city aufgenommen wurde.

before there was a man in black, there were the sun records years, when cash began defining his peculiar and witty version of country music. born in arkansas in 1932, cash began recording as a top artist for sun records, for which he released his first full-length lp. this double lp set documents all the hits from 1955 to 1958, before cash signed to columbia records. these 35 “first steps” helped build the legend and are considered the milestones of an incredible career that ended with those passionate and soulful albums on the “american recordings” series released between 1994 and 2003, the year jr cash died on sept 12.

fierce pulsating modern techno tracks on the always reliable semantica label!

nach ersten eps auf luckyme, der gründung seines astro nautico-labels und kollabos mit kelela und flatbush zombies, liefert der brooklyner produzent sam obey (obey city) sein debütalbum ab, das sich zwischen trip und peaktime-party bewegt und wie guter progressive jazz wirkt: elegant, smooth, cool, seriös, expansiv, experimentierfreudig, warm. dabei bewirkt obey als dj und leidenschaftlicher plattensammler, dass positive noise eine starke verankerung in pulsierenden, rhythmischen stilelementen des 1970 /1980 er disco & funk besitzt.

since releasing his last album on hypercolour in february 2016 (æyou existÆ), dmx krew has not for one moment rested on laurels, releasing two further lps on the ekster and abstract form labels, as well as eps and singles for central processing unit, shipwrec, revoke and more. continuing to remain faithful to the roots of electro, idm and the deeper shades of techno, and without compromise, dmx krew cranks out emotive and brain scrambling electronica at a mighty rate, and never disappoints. æstrange directionsÆ is album number 21 from dmx krew, and lands once more on hypercolour, the british label that continues to make heady waves in the music scene with genre shifting releases from the like of matthew herbert, luke vibert, gary gritness, the cyclist, outboxx and a sagittariun in the last 12 months alone. youÆll know what kind of ride you are in for from the first few bars of album opener æsnowy blueÆ, hypnotizing bass and spatial keys float over dusty micro breaks, produced with an infectious aesthetic that continues over the long playerÆs fifty-five minute tenure. experimental and expansive joints such as æodd chillÆ and æstrange directionsÆ sit comfortably alongside funkier techno jams such as æthin hypeÆ and æzero sumÆ, whilst the melancholic synth sensibilities of tracks like æhip hopelessÆ and æaxial mode beatÆ catches dmx krew on fine form.

emerging through storm-like waves of distortion, opener ‘alpha’ sets the scene for this beguiling cassette release, with melodies rising out of — and then descending back into — the chaos. ‘3000 years’ takes vocal samples as a starting point, before melting into layer upon layer of delay, after which ‘confounded’ picks up the pace with its heavily distorted beats and the side then closes to the sound of a distant choir burning in acidic ambience in the shape of ‘fruitless clicking’. the nightmarish, malfunctioning machinery vibes continue onto the second side, with the more dance oor-friendly ‘strange conversations’ and ‘the brink’ bookended by the two-part ambient epic ‘pale blue dot’. dark, glitchy, and at times outright uncomfortable — perfectly suited to the cassette format.

die musik zur tv-serie *deutschland 83* als limitiertes und nummeriertes 4-fach vinyl im klappcover, downloadcode inklusive.

a collection of 20 hits from italian singer, actor and entertainer adriano celentano.

special sales pack for all you afro vision lovers out there - contains three classic releases:
- av001: joe jam ft. d. preacher - we will celebrate
- av004: tatjana orffe meets jocelyn brown - black skin blue eyed boys
- av005: jonathan ulysses meets joe samba jr. - all i want is you

sowohl der film als auch der soundtrack zu »guardians of the galaxy« sind absolut kult. und da 2017 endlich die fortsetzung des science-fiction-abenteuers von marvel in den kinos läuft, gibt es passend dazu die neue filmmusik: »guardians of the galaxy: awesome mix vol. 2«.

re:issue

2015 remaster des live-mitschnitt des konzerts am 23. august 1970, live at max s kansas city, an jenem tag, als lou reed die band verließ. neben dem originalalbum von 1972 gibt es auf der disc zusätzliche performances, die ursprünglich aus der expanded edition stammen, die rhino 2004 veröffentlichte, diese (2015er) version war auch bereits in der kürzlich erschienenen re-loaded deluxe box als cd enthalten. dieses jahr jährt sich auch die eröffnung des legendären new yorker clubs zum fünfzigsten mal.
jetzt erstmals auch in dieser form auf doppel-vinyl erhältlich, enthält unter anderem die velvet underground klassiker »sweet jane«, »new age«, »white light / white heat« & »femme fatale«.

highlights from the planned follow-up to pacific ocean blue. newly designed 2lp set on green vinyl, housed in a gatefold sleeve with download code included.

nach siebenjähriger auszeit meldet sich das britische reggae-oktett pama international mit dem brandneuen album -love & austerity- zurück, begleitet von den sängerinnen jewels vass (mad professor, zion train) und anna uhuru (abstract orchestra). den kern des albums bilden 8 songs in verschiedenen versionen zwischen rocksteady, explosiven dubs, studio-one-like discomixes, southern soul-balladen und einem killer-orgel-instrumental, inspiriert von jackie mittoo. cd mit 12 tracks, lp mit 8 tracks plus download-code für alle 12 tracks.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

coloured vinyl !

legacy recordings veröffentlicht unter dem titel a boy from tupelo: the sun masters ein 12- vinyl album, mit dem sich der weg elvis presleys zum king of rock and roll nachvollziehen lässt. es versammelt alle a- und b-seiten, die elvis für sun records einspielte sowie weitere im sun studio mitgeschnittene songs, die auf seinem bahnbrechenden debüt aus dem jahr 1965 zu hören sind. die songs wurden von sam phillips produziert und stammen aus der zeit zwischen juli 1954 und juli 1955. begleitet wird elvis natürlich von seinen unvergessenen mitstreitern, dem gitarristen scotty moore und dem bassisten bill black.

this is the vinyl format of tom brosseaus third full length for fatcat, after 2006s compilation of early material empty houses are lonely and 2007s critically acclaimed cavalier, which was produced by pj harvey collaborator john parish in one week. mice parades adam pierce and small sails ethan rose co produced and guest performed on posthumous success. ethan roses tracks were produced in portland, oregon, adam pierces in upstate ny. this album marks a noticeable sabbatical from the predominantly vocal and guitar / all acoustic recordings of previous records.

after the creation of computer disco lp (1982), marcello giombini produces the year after i adore commodore - computer music flash, which was mainly made with a commodore 64. giombini was a veteran of music applications with personal computer, started with an apple ii europlus and then converted to the commodore 64 thanks to the presence of 3 independent music generators that allowed him to make more elaborate music easier. the record was inspired by the videogames of the time, so that the titles of the 10 tracks are inspired by the names of famous games. the music was created using four to eleven commodore 64 programmed and synchronized with an external audio interface. at the time, giombini, in his studio in a basement just a few steps from nomentana, rome, had organized a small school with courses of basic and computer music. the graphic is the same of original lp with inner-sleeve dedicated to commodore 64.

the mission’s 1990 debut album back on 180 gram vinyl with download code included.

limited numbered reissue, 45rpm half-speed remastered. pressing on double 180 gram vinyl, housed in a gatefold sleeve with download code included.